Hotplate work with encaustic art


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IRON & STYLUS	IRON AS HOTPLATE	HOTPLATE WORK	HOT AIR WORK	ARTISTIC WORK	ONLINE PROJECTS

HOTPLATE TECHNIQUES for ENCAUSTIC: STEP by STEP INDEX

Tools	Basics	Palette	Landscape	Wax Coating


John Buckland	Elisabeth Van Uden	Michael Bossom	Gallery

Hotplate Work with Encaustic Art - Index Page
TECHNIQUES INDEX	A2+ULTIMATE HOTPLATE INTRODUCTION
	An ideal hotplate is one that has a stable, flat & easy to clean surface, which is evenly heated and offers a refined temperature control - see temperature settings. There are numerous types available but generally each is made for its own specific task. Some are for domestic food use, others for exacting laboratory tasks. Each has the qualities that suit its application
	For small heating requirements or a useful working palette the encaustic painting iron can be upturned and relocated into the handle structure, providing a simple small hotplate. NOTE: with the handle attached as normal the upturned iron makes a useful and highly manouverable working palette, especially for close-up fine brushwork where retaining molten wax colour on the brush fibers is vital.
	The A2+ Ultimate Hotplate is made for encaustic use, with a toughened glass surface and excellent thermostatic temperature control. This offers everything needed for use with molten wax art work using the encaustic art wax block formulation.

THE A2+ ULTIMATE HOTPLATE FOR ENCAUSTIC ART WORK - MELTDOWN!

A2+ Ultimate Hotplate
* Excellent thermostatic control
* Glass surface - quick to clean
* Attractive & Robust design !
* Numerous exciting potentials
* DVD information is available :

Exploring Ideas

From Hobby to Art

Hotplate user introduction
download printable PDF

BASIC TEMPERATURE GUIDE TO A2+HOTPLATE THERMOSTAT SETTINGS
The following gives a rough guide to thermostat steeings for the A2+ Ultimate Hotplate. These readings were done in a room with an ambient temperature of around 20C. Heatloss from the hotplate suface will be afected by the ambient temperature.
Dial No. facing upwards	Thermometer laying on the surface of the hotplate - bulb out of contact		Thermometer in 3mm molten wax in flat bottomed shallow tin
Dial No. facing upwards	Celcius	Fahrenheit	Celcius	Fahrenheit
6	54	130	65	150
8	72	161	80	176
10	82	180	94	201
12	100	212	105	221
Many factors will affect the exact temperature, but this hotplate will not get too hot for wax usage. Even when left on full power at No.12 and untouched for a long period, the thermostat will hold the steady top temperature varying as it switches on and off within about 3C to 5C.
12	1" deep tin full of melted wax * thermometer bulb at bottom of tin		85	185
NOTE: When using tins to melt the waxes the temperature at the contact point with the hotplate will be hotter than the top surface of the wax. To melt wax in pots much deeper than 1" molten liquid will require considerably more heat at the base in order to maintain fluid wax a the surface. So it is better to use shallow pallette tins - ideally these need to be flat bottomed to ensure good heat transfer - baking trays with circular holes and angled sides are the ideal. The baking tray makes a great mixing pallette for larger amounts in the many wells available too.

See the A2+ Ultimate Hotplate in the online store

Glass top working heated area 405mm x 605mm
Main body Including metal frame 425mm x 625mm
Full length including handles 425mm x 715mm
Large A2 capacity fo artwork (ideal up to 560mm x 360mm even on cooler settings)
Flat, toughened, easy to clean glass surface

This hotplate offers brilliant temperature control that varies almost unnoticably in the working situation.

The dial spans from 1 to 12 and placing 7 at the top is around 70 - 75 C. So there is plenty of fine adjustment from the melting point of the wax blocks (around 65C) all the way up to 100C as the maximum achievable temperature.

Hotter temperatures enable tin palettes (flat bottomed muffin tins) to be used effectively, creating pools of liquid wax colour during operating times. This enables techniques for brush painting with molten wax onto cold supports. Often this type of brushed on wax is then "fused" using hot air tools.

BRUSHES 99534000

There are too many possible techniques to mention here but you can find some useful step by step pages in the techniques section above which are well worth visiting.

Natural hair brushes (non-heated).
Sizes in the pack are 2mm / 4mm / 8mm / 12mm & 20mm .
The Painting Iron or Hotplate can be used with a muffin tin to contain your wax colours and keep them molten. Brushes can rest on the hotplate to remain warmed adn ready to use.

WAX MOVERS 99531500

Scrapy Wax Movers are rubber style tipped tools to move molten wax around, to create marks and textures. Great for Hotplate and Hot Air techniques. Easy to clean and very durable too.

* Also for application of glue in scrap booking, cardmaking or fidldy places. These can also be used with any liquids, paints, or even modelliing materials for making marks, etc.

SPONGE SET 99600000

Sponges come in all shapes and forms. This small set contains 3 white rubber type sponges that are good for moving the wax colours around on the hotplate or during hot air working onto card, canvas or board. The orange sponge is textured and also far more absorbent. This is good for creation of textures, foliage for instance. All the can be cut into other forms or angles and even torn to give more random edges.
* Remember that certain sponges & plastics can melt!

Techniques index

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Arts Encaustic Ltd, Glogue, Pembrokeshire SA36 0ED UK info@encaustic.com
Tel: +44 (0)1239 831401 Fax +44(0)1239 831767